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Flat rate for all sizes
| Order amount | Shipping |
|---|---|
| 50 - 500 € | 139,99 € |
| > 500 € | 189,99 € |
Delivery time: 2-4 weeks
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Material
Size
L 120x70cm
BespokeDiscover the characteristics of our two premium finishes
Acrylic Glass
Premium gallery effect
Alu Dibond
Matte elegance
Lightweight, hanging kit included,
premium Italian craftsmanship.
Just tell us where the piece will hang. We will reply with a clear recommendation, usually in less than two hours.
Take a photo of your wall and our AI will place the artwork to show you the result.
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Contact usA police car emerges from a hastily sketched backdrop, as if frozen in the middle of an intervention. The orange streaks and the powder pink background tell the story of an urban scene captured on the fly, between realism and abstraction.
A police car emerges from a hastily sketched backdrop, as if frozen in the middle of an intervention. The orange streaks and the powder pink background tell the story of an urban scene captured on the fly, between realism and abstraction.
The composition is organized around a patrol car painted in coral and white, positioned slightly off-center in a sketched urban setting. The main background unfolds into a large expanse of powder pink, punctuated by nervous black lines that evoke streetlights, electrical cables, and silhouettes. Touches of mustard yellow appear in the background, recalling traffic lights or neon signs. The bottom of the work is marked by long orange streaks that descend vertically, creating a sense of movement and immediacy. The black lines, drawn like a quick sketch, structure the whole without ever freezing the scene. The contrast between the precision of the vehicle and the freedom of the graphic background gives the work a strong visual tension. The whole exudes a raw urban energy, between reportage and free artistic interpretation.
Technical data
3mm
Thickness
acrylic and Dibond
280cm
Maximum size
2
Choice of material
Italy
Manufacturing
Our artworks are high-end digital art prints reproduced on premium materials (acrylic glass or Dibond aluminium). These are not hand-painted works, but digital works created exclusively by the artists of the Walensky team, printed with exceptional fidelity by our partner craftsmen in Italy.
From 80 × 46 cm to 280 × 160 cm, depending on the material.
Glossy Acrylic Glass
Ultra-vibrant colours, exceptional depth. An art-gallery finish.
Ideal for rooms with controlled lighting
Alu Dibond Matt
Zero reflections, a clean, modern style. An elegant, contemporary finish.
Ideal facing windows or in natural light
Enter your dimensions: the weight is calculated for both materials.
Acrylic glass
4,0kg
Alu Dibond
3,4kg
Area
1,12m²
Weight of the artwork alone, excluding packaging. Based on a 140 × 80 cm piece measured at 4 kg in acrylic glass and 3.4 kg in alu Dibond.
Our fixings suit the most common interior walls. The adhesive plate sticks to the back of the artwork, never to the wall. It is the hook that gets screwed in, with the wall plugs provided.
Indoor use
Designed for indoors, in a temperate room
Kitchen
Smooth surface, easy to clean
Pets & children
Resistant to light knocks
Care
Damp microfibre cloth, no abrasive products
Direct sunlight
Prolonged exposure is not advised
Heat source
Avoid placing it directly next to a radiator or a fireplace
Temperature swings
Avoid unheated or overheated rooms
Constant damp
Avoid unventilated bathrooms and damp basements
These recommendations are practical advice intended to keep your artwork at its best over time. They do not affect any of your guarantees.
Wall mounting
The fixing system comes with your artwork, chosen to suit its size. The adhesive plate sticks to the back of the artwork, and the hook screws into the wall.
See the fitting guideExplore more precisely
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The Walensky community
Walls like yours, photographed by the people who live with them. Welcome to the Walensky family.
Our ambassadors
Discover their XXL artworks in real homes
This patrol car coral painting adopts a technique combining graphic sketch and pictorial runs. The scratched black lines evoke the quick urban sketch, while the touches of rose powder and terracotta bring a more settled pictorial touch. This contrast between the rigor of the drawing and the freedom of color recalls certain contemporary expressionist currents, where the realistic subject dissolves into an almost abstract material, halfway between reportage and free interpretation.
In a living room with light walls, this terracotta police car painting immediately becomes a focal point thanks to its rose powder background and touches of mustard yellow. It can be accompanied by a sofa in neutral tones to let the vivid colors of the composition breathe. An anthracite or beige rug balances the whole without competing with the warm nuances of the work, creating an atmosphere that is both urban and refined in the room.
Yes, this pink powder police painting integrates perfectly into an office where you want to infuse visual dynamism. Its graphic treatment, between nervous black lines and a pale ochre background, stimulates creativity without being overwhelming. Hung facing the workstation, it brings a contained urban energy, ideal for minds that like atmospheres inspired by technical drawing and revisited street art.
This orange patrol car painting is ideally combined with neutral tones such as beige, light gray or off-white, which highlight the dominant coral and rose powder. For a more daring interior, you can dare a deep navy blue wall as a complement, creating a vibrant contrast with the yellow and orange touches of the work. These color combinations reinforce the urban and graphic reading of the painting.
Offering this sketched Police painting seduces lovers of urban art and scenes of life captured on the fly. Its original composition, between black scribbles and terracotta flats, pleases both enthusiasts of vehicles and lovers of pictorial abstraction. It is a gift that distinguishes the recipient by its affirmed character, neither too classic nor too conceptual, and which easily finds its place in a contemporary interior.
