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Flat rate for all sizes
| Order amount | Shipping |
|---|---|
| 50 - 500 € | 139,99 € |
| > 500 € | 189,99 € |
Delivery time: 2-4 weeks
Split your amount into 3 equal payments, no interest.
Material
Size
L 100x100cm
BespokeDiscover the characteristics of our two premium finishes
Acrylic Glass
Premium gallery effect
Alu Dibond
Matte elegance
Lightweight, hanging kit included,
premium Italian craftsmanship.
Just tell us where the piece will hang. We will reply with a clear recommendation, usually in less than two hours.
Take a photo of your wall and our AI will place the artwork to show you the result.
Want this painting in a different format?
Contact usA partially revealed face, a white hat that protects as much as it intrigues. This Retro style portrait captures a suspended moment, between modesty and silent intensity, where every detail invites you to linger.
A partially revealed face, a white hat that protects as much as it intrigues. This Retro style portrait captures a suspended moment, between modesty and silent intensity, where every detail invites you to linger.
The painting features a female face whose eyes disappear beneath a wide white hat with a thick and elaborate texture. The contrast between the deep black background and the chalky white of the hat structures the entire composition. Touches of vibrant red punctuate the canvas, like spontaneous spots or splashes, bringing an unexpected vibration. The skin of the face, treated in shades of gray and off-white, contrasts with the graphic and angular lines of the geometric decor in the background. The style blends the realism of the lower face with the abstraction of the hat, creating a rich play of materials. The square composition reinforces the directness and intensity of the subject. The whole evokes an urban aesthetic, between expressive painting and graphic collage.
Technical data
3mm
Thickness
acrylic and Dibond
280cm
Maximum size
2
Choice of material
Italy
Manufacturing
Our artworks are high-end digital art prints reproduced on premium materials (acrylic glass or Dibond aluminium). These are not hand-painted works, but digital works created exclusively by the artists of the Walensky team, printed with exceptional fidelity by our partner craftsmen in Italy.
From 80 × 46 cm to 280 × 160 cm, depending on the material.
Glossy Acrylic Glass
Ultra-vibrant colours, exceptional depth. An art-gallery finish.
Ideal for rooms with controlled lighting
Alu Dibond Matt
Zero reflections, a clean, modern style. An elegant, contemporary finish.
Ideal facing windows or in natural light
Enter your dimensions: the weight is calculated for both materials.
Acrylic glass
4,0kg
Alu Dibond
3,4kg
Area
1,12m²
Weight of the artwork alone, excluding packaging. Based on a 140 × 80 cm piece measured at 4 kg in acrylic glass and 3.4 kg in alu Dibond.
Our fixings suit the most common interior walls. The adhesive plate sticks to the back of the artwork, never to the wall. It is the hook that gets screwed in, with the wall plugs provided.
Indoor use
Designed for indoors, in a temperate room
Kitchen
Smooth surface, easy to clean
Pets & children
Resistant to light knocks
Care
Damp microfibre cloth, no abrasive products
Direct sunlight
Prolonged exposure is not advised
Heat source
Avoid placing it directly next to a radiator or a fireplace
Temperature swings
Avoid unheated or overheated rooms
Constant damp
Avoid unventilated bathrooms and damp basements
These recommendations are practical advice intended to keep your artwork at its best over time. They do not affect any of your guarantees.
Wall mounting
The fixing system comes with your artwork, chosen to suit its size. The adhesive plate sticks to the back of the artwork, and the hook screws into the wall.
See the fitting guideKeep exploring
The Walensky community
Walls like yours, photographed by the people who live with them. Welcome to the Walensky family.
Our ambassadors
Discover their XXL artworks in real homes
This Retro female portrait painting features a face partially obscured by a wide, textured white hat, in a strong graphic composition. The style draws inspiration from an urban and pictorial aesthetic, blending deep black and chalky white. This anthracite female portrait plays on mystery: only the nose, mouth, and part of the eye remain visible, creating a visual tension between modesty and a confident presence, reinforced by bright red splashes scattered across the canvas.
This painting portrait woman red and black naturally finds its place in an entrance hall or living room, where its graphic intensity can fully express itself. Placed in a hallway, this portrait of a woman in anthracite immediately catches the eye of visitors. In an office, it brings a strong and contemporary touch. Its contrasting palette, between off-white and deep black accentuated with red, complements clean interiors seeking a striking focal point.
This white hat painting pairs easily with understated furniture in dark wood or matte black metal, extending its anthracite and chalky white palette. The touches of red present on the canvas can be echoed in cushions or a rug to create a chromatic resonance. This portrait of a woman in red also works well alone, as a centerpiece, or in a set of black and white graphic works.
This veiled face painting will seduce lovers of contemporary art looking for a piece full of emotion and character. Offering this anthracite woman portrait painting is suitable for someone who appreciates graphic universes combining painting and collage. Its mysterious dimension, between elegance and raw intensity, makes it an original gift for a modern interior seeking a work that sparks conversation rather than simple decoration.
The white hat that hides the eyes gives this red and black woman portrait painting a dimension of anonymity and restraint. This pictorial gesture evokes secrecy, distance or introspection, contrasting with the mouth and nose fully revealed. This anthracite woman portrait painting thus plays on the ambiguity between exposure and concealment, a tension reinforced by the red splashes scattered on the white material of the hat.
Further reading
