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Flat rate for all sizes
| Order amount | Shipping |
|---|---|
| 50 - 500 € | 139,99 € |
| > 500 € | 189,99 € |
Delivery time: 2-4 weeks
Split your amount into 3 equal payments, no interest.
Material
Size
L 120x70cm
BespokeDiscover the characteristics of our two premium finishes
Acrylic Glass
Premium gallery effect
Alu Dibond
Matte elegance
Lightweight, hanging kit included,
premium Italian craftsmanship.
Just tell us where the piece will hang. We will reply with a clear recommendation, usually in less than two hours.
Take a photo of your wall and our AI will place the artwork to show you the result.
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Contact usA gaze split between two worlds, between ochre warmth and terracotta gravity. This face with white mustaches seems to carry within it an ancient memory, a wisdom suspended between two shades that ceaselessly converse.
A gaze split between two worlds, between ochre warmth and terracotta gravity. This face with white mustaches seems to carry within it an ancient memory, a wisdom suspended between two shades that ceaselessly converse.
This portrait merges fine ink drawing and watercolor wash. The left half of the face is immersed in a garnet red mottled with brown, crossed with white lines that recall roots or luminous veins. The right half warms with a delicate ochre yellow , more soothing, where the black line draws an eye and wrinkles with almost anatomical precision. In the center, a long white mustache and beard descend in flowing curls, bringing a touch of slate gray on the parted lips. A thin vertical line connects the forehead to the space between the eyebrows, evoking a point of concentration or inner energy. The background textures, marbled and diffuse, contrast with the sharpness of the line that structures the face. The whole plays on a subtle balance between pictorial blur and graphic rigor, reinforced by the white background that allows the composition to breathe.
Technical data
3mm
Thickness
acrylic and Dibond
280cm
Maximum size
2
Choice of material
Italy
Manufacturing
Our artworks are high-end digital art prints reproduced on premium materials (acrylic glass or Dibond aluminium). These are not hand-painted works, but digital works created exclusively by the artists of the Walensky team, printed with exceptional fidelity by our partner craftsmen in Italy.
From 80 × 46 cm to 280 × 160 cm, depending on the material.
Glossy Acrylic Glass
Ultra-vibrant colours, exceptional depth. An art-gallery finish.
Ideal for rooms with controlled lighting
Alu Dibond Matt
Zero reflections, a clean, modern style. An elegant, contemporary finish.
Ideal facing windows or in natural light
Enter your dimensions: the weight is calculated for both materials.
Acrylic glass
4,0kg
Alu Dibond
3,4kg
Area
1,12m²
Weight of the artwork alone, excluding packaging. Based on a 140 × 80 cm piece measured at 4 kg in acrylic glass and 3.4 kg in alu Dibond.
Our fixings suit the most common interior walls. The adhesive plate sticks to the back of the artwork, never to the wall. It is the hook that gets screwed in, with the wall plugs provided.
Indoor use
Designed for indoors, in a temperate room
Kitchen
Smooth surface, easy to clean
Pets & children
Resistant to light knocks
Care
Damp microfibre cloth, no abrasive products
Direct sunlight
Prolonged exposure is not advised
Heat source
Avoid placing it directly next to a radiator or a fireplace
Temperature swings
Avoid unheated or overheated rooms
Constant damp
Avoid unventilated bathrooms and damp basements
These recommendations are practical advice intended to keep your artwork at its best over time. They do not affect any of your guarantees.
Wall mounting
The fixing system comes with your artwork, chosen to suit its size. The adhesive plate sticks to the back of the artwork, and the hook screws into the wall.
See the fitting guideKeep exploring
The Walensky community
Walls like yours, photographed by the people who live with them. Welcome to the Walensky family.
Our ambassadors
Discover their XXL artworks in real homes
This terracotta and ochre abstract face painting illustrates an inner duality through a portrait drawn with a fine line. The left half is bathed in a deep, almost garnet red, while the right side warms up with a golden yellow. This chromatic opposition translates a dialogue between two states of mind, two memories or two temporalities of the same person. The white line that crosses the face recalls the fragile structure of a memory in the making.
This ochre abstract face painting finds a natural echo on a wall with warm tones such as terracotta or clay. The rust and anthracite nuances of the work extend the wall palette without ever competing with it. In an entrance or hallway, this fauve abstract face painting captures the grazing light and reveals the details of the ink line. The whole creates a soothing visual continuity between the wall and the artwork.
This slate blue and golden abstract face painting will seduce lovers of introspective portraits seeking a striking yet not loud piece. In a bedroom, this watercolor abstract face painting brings a meditative presence thanks to its terracotta and ochre gradients that soften the evening light. People sensitive to contemplative art, close to symbolism, will find a visual companion that invites reflection before sleep.
Offering this terracotta abstract face painting seduces anyone who appreciates stylized portraits on the border between drawing and painting. Its two-tone composition, deep red and luminous ochre, makes it a refined gift to decorate a living room or office. This fauve abstract face painting translates a universal emotion, that of inner dialogue, which makes it touching for anyone who loves introspective and symbolic art.
This sketched style abstract face painting blends the precision of ink lines with the fluidity of terracotta and ochre watercolor. This technique recalls ancient engravings revisited by a contemporary touch, where white lines delicately draw beard and eyebrows. This anthracite and golden abstract face painting also evokes the symbolist movement, where the human face becomes the support of an emotion larger than the portrait itself.
Further reading
