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Flat rate for all sizes
| Order amount | Shipping |
|---|---|
| 50 - 500 € | 139,99 € |
| > 500 € | 189,99 € |
Delivery time: 2-4 weeks
Split your amount into 3 equal payments, no interest.
Material
Size
L 120x70cm
BespokeDiscover the characteristics of our two premium finishes
Acrylic Glass
Premium gallery effect
Alu Dibond
Matte elegance
Lightweight, hanging kit included,
premium Italian craftsmanship.
Just tell us where the piece will hang. We will reply with a clear recommendation, usually in less than two hours.
Take a photo of your wall and our AI will place the artwork to show you the result.
Want this painting in a different format?
Contact usAbear's profile emerges from the golden mist of a forest suspended between autumn and winter. Ochre and rust streaks fall like a fine rain on a cream background, while the navy blue of the fur imposes its calm. A silent scene, between raw material and animal softness.
Abear's profile emerges from the golden mist of a forest suspended between autumn and winter. Ochre and rust streaks fall like a fine rain on a cream background, while the navy blue of the fur imposes its calm. A silent scene, between raw material and animal softness.
The composition presents a profile head of a bear, turned to the right of the frame, treated in broad pictorial touches that suggest the material rather than detail. The fur plays on a gradient of navy blue deep and touches of ochre warm on the muzzle and ears. The background, in cream and golden yellow tones, is streaked with fine vertical streaks of rust, orange and white, like frozen rain. The bottom of the canvas merges into a wave of navy blue dotted with ochre and white drops, evoking a water surface. The light seems to come from the background, creating a soft contrast between the dark subject and the bright background. The style, between gestural painting and digital watercolor, gives the whole a vibrant and lively texture. The eye is naturally drawn to the closed and peaceful gaze of the animal, the focal point of the entire scene.
Technical data
3mm
Thickness
acrylic and Dibond
280cm
Maximum size
2
Choice of material
Italy
Manufacturing
Our artworks are high-end digital art prints reproduced on premium materials (acrylic glass or Dibond aluminium). These are not hand-painted works, but digital works created exclusively by the artists of the Walensky team, printed with exceptional fidelity by our partner craftsmen in Italy.
From 80 × 46 cm to 280 × 160 cm, depending on the material.
Glossy Acrylic Glass
Ultra-vibrant colours, exceptional depth. An art-gallery finish.
Ideal for rooms with controlled lighting
Alu Dibond Matt
Zero reflections, a clean, modern style. An elegant, contemporary finish.
Ideal facing windows or in natural light
Enter your dimensions: the weight is calculated for both materials.
Acrylic glass
4,0kg
Alu Dibond
3,4kg
Area
1,12m²
Weight of the artwork alone, excluding packaging. Based on a 140 × 80 cm piece measured at 4 kg in acrylic glass and 3.4 kg in alu Dibond.
Our fixings suit the most common interior walls. The adhesive plate sticks to the back of the artwork, never to the wall. It is the hook that gets screwed in, with the wall plugs provided.
Indoor use
Designed for indoors, in a temperate room
Kitchen
Smooth surface, easy to clean
Pets & children
Resistant to light knocks
Care
Damp microfibre cloth, no abrasive products
Direct sunlight
Prolonged exposure is not advised
Heat source
Avoid placing it directly next to a radiator or a fireplace
Temperature swings
Avoid unheated or overheated rooms
Constant damp
Avoid unventilated bathrooms and damp basements
These recommendations are practical advice intended to keep your artwork at its best over time. They do not affect any of your guarantees.
Wall mounting
The fixing system comes with your artwork, chosen to suit its size. The adhesive plate sticks to the back of the artwork, and the hook screws into the wall.
See the fitting guideKeep exploring
The Walensky community
Walls like yours, photographed by the people who live with them. Welcome to the Walensky family.
Our ambassadors
Discover their XXL artworks in real homes
This brown bear painting depicts a bear's head captured in profile, drawn with broad navy blue strokes that blend into an ochre background traversed by streaks. The technique evokes gestural painting: the fur is not detailed but suggested by the material and the movement of the brush. This brown bear ochre painting appeals to those who like compositions that are both animal and graphic, far from classical realism.
In a living room with light walls, this navy blue brown bear painting becomes the focal point of the room thanks to the contrast with the warm ochre background. It can be hung above a neutral sofa to allow the vertical rust and cream streaks to breathe. This brown bear ochre painting works just as well in a Scandinavian interior as in a more raw decor, in wood and natural linen.
Yes, this navy blue brown bear painting brings a soothing presence without visual aggression, ideal for a bedroom. The ochre and cream tones of the background recall the light of early morning, while the navy blue of the animal anchors the composition. This brown bear watercolor painting, with the softness of its gradients, creates an atmosphere conducive to rest without ever becoming too imposing on the wall.
This brown bear ochre painting will appeal to anyone sensitive to the wild nature treated with a contemporary look. The orange streaks and the turned gaze of the bear give the work an expressive and easy-to-integrate feel. Offering this navy blue brown bear painting is to propose a unique piece that does not need a heavy frame to attract the eye in an entrance or office.
The bear traditionally embodies quiet strength and the protection of territory, and this brown bear ochre painting translates this idea through a calm, almost meditative posture. The navy blue fur contrasts with the warm ochre background, creating a gentle tension between strength and serenity. This navy blue brown bear painting thus evokes a discreet guardian, more contemplative than threatening.
