Summer sale — -20% on orders over €500 — ends in
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☀️ Limited edition — only 2 000 / 2 000 pieces left
Code
Soleil20
✓ Copied!Notre IA part de vos couleurs et de votre ambiance pour ne garder que les œuvres qui s’y accordent. Deux façons de commencer.
Choisissez-en un ou deux. Il n'y a pas de mauvaise réponse.
Cadrez le mur où le tableau ira. Notre IA relève les couleurs, la lumière et le style, puis sélectionne ce qui s’y accorde. Dix secondes.






or pay in 3x 83.33€ interest-free with Klarna.
No worries! After the first delivery attempt, the carrier will contact you to schedule a new delivery at a date and time that suits you.
Free shipping in Europe
Flat rate for all sizes
| Order amount | Shipping |
|---|---|
| 50 - 500 € | 139,99 € |
| > 500 € | 189,99 € |
Delivery time: 2-4 weeks
Split your amount into 3 equal payments, no interest.
A piercing blue gaze that traverses the veil of mystery. This Venice Mask captures the suspended moment of the carnival, between secret and seduction, wheregold and navy blue dance on the skin like a second nature.
This close-up portrait captures a face half-hidden behind a sumptuous Venetian mask. The navy blue of the feathers undulates around the face, while thecracked gold covers the outline of the mask and part of the forehead. The eyes, painted with striking realism, contrast with the almost metallic and aged texture of the rest of the composition. One can distinguish golden streaks reminiscent of a molten material, between paint and patinated metal. The background, in beige and light brown tones, leaves all the space for this enigmatic face. The light seems to come from the front, sculpting the reliefs of the mask and the blue feathers. The whole combines a detailed pictorial style with an almost sculptural texture, typical of Venetian carnival universes.

Discover what the media says about Walensky
Forget bland canvases and soulless prints: here, every piece has been designed as a true work of art.
Unique and bold, Walensky's signed works elevate large walls with a distinctive identity.
Walensky reinvents XXL wall decor to give every interior a true stylistic boost.
Large format artwork enters living rooms and transforms a simple wall into a true focal point.
This Venice Mask painting depicts a face partially hidden behind a mask adorned with navy blue feathers and golden patterns. The gaze, very expressive, immediately captures attention and creates an atmosphere of mystery characteristic of the Venetian carnival. This gilded Venice mask painting particularly appeals to lovers of refined figurative art, where the detail of the face contrasts with the worked texture of the mask.
The navy blue and gold hues of this ochre Venice mask painting blend easily with interiors in neutral tones such as beige or taupe. You can also play on contrast by pairing it with anthracite or copper accessories that highlight the warm nuances of the mask. This textured Venice mask painting immediately adds character to an otherwise understated wall.
This gilded Venice mask painting naturally finds its place in an entrance hall or living room, where its piercing gaze creates a focal point upon arrival. In a bedroom, this navy blue Venice mask painting creates a more intimate and theatrical atmosphere. Its dense composition also makes it an excellent choice for an office seeking a strong artistic touch.
This ochre Venice mask painting directly evokes the universe of the Italian carnival, with its characteristic feathers and gilding. Offering this textured Venice mask painting is to convey a fragment of this theatrical tradition, between elegance and mystery. The precision of the painted gaze and the almost metallic rendering of the mask make it a gift that stands out for its originality and visual strength.
This gilded Venice mask painting integrates perfectly into a revisited classic interior, where noble materials and warm tones dominate. It is also suitable for a contemporary living room that relies on a strong contrast between light walls and a centerpiece color. This anthracite and gold Venice mask painting works just as well alone as in accompaniment of other figurative works.